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LA Alternative Station Indie 103.1 Off The Air Today 0

Posted on January 16, 2009 by jeremyazevedo

indie103

Yet another harbinger of the impending arockalypse

Well, apparently there isn’t an audience for independent or alternative music in Los Angeles, the birthplace and breeding ground of a significant portion of the nation’s entertainment products. I don’t know how Nielsen monitors ratings on the radio but I find it hard to believe that there aren’t enough people in the hipster capital of the world to keep one goddamn alternative station running. Sadly, my own disbelief doesn’t change the fact that we are now officially back in the Stone Age where pay-for-play buttrock and disingenuous, pussy-begging R&B are the only alternatives.

The official word from the station’s programmers is this:

This is an important message for the Indie 103.1 Radio Audience -

Indie 103.1 will cease broadcasting over this frequency effective immediately. Because of changes in the radio industry and the way radio audiences are measured, stations in this market are being forced to play too much Britney, Puffy and alternative music that is neither new nor cutting edge. Due to these challenges, Indie 103.1 was recently faced with only one option — to play the corporate radio game.

We have decided not to play that game any longer. Rather than changing the sound, spirit, and soul of what has made Indie 103.1 great Indie 103.1 will bid farewell to the terrestrial airwaves and take an alternative course.

This could only be done on the Internet, a place where rules do not apply and where new music thrives; be it grunge, punk, or alternative - simply put, only the best music.

For those of you with a computer at home or at work, log on to www.indie1031.com and listen to the new Indie 103.1 - which is really the old Indie 103.1, not the version of Indie 103.1 we are removing from the broadcast airwaves.

We thank our listeners and advertisers for their support of the greatest radio station ever conceived, and look forward to continuing to deliver the famed Indie 103.1 music and spirit over the Internet to passionate music listeners around the world.

So as a small consolation, Indie 103.1 will still exist on the Internet, where likely no one will listen to it. Whoop-de-doo. There will be no more Steve Jones, no Henry Rollins, no punk rock blocks, no unheard music from overseas, no great local bands and no genuinely new music on our radios from now on. The music industry will likely suffer as a result, as interest in many of the more independent offerings will dwindle without the much-needed exposure, causing record sales to plummet further. You can only sell so many f**king copies of Death Magnetic.

Eat all the dicks, KROQ.

I’m not really sure what the overall significance of this is, culturally speaking. Are the critics so far removed from the public that what they (the critics) consider good just sounds like egghead shit to the common listener? Have people just completely abandoned the radio altogether? Is The Offspring or T.I. played 10 times in an hour really more satisfying in some way than hearing a really good new band once an hour? Do people prefer familiarity to originality, and if so, is that really all that unusual?

I’d like to think that people generally want to be challenged and excited by new experiences, but I’m continually proved wrong every time another “Scary/Epic/Superhero/Date Movie” sequel makes 500 million at the box office, every time a new season of American Idol gets even better ratings than the last, and every time U2 breaks sales records with a new album that, while heavily marketed, is only mediocre. Do the commercials exist to support the product or does the product exist merely to support the commercials?

Unfortunately, the demise of Indie 103.1 provides a simple and irrefutable answer to that question. See you in hell, Indy.

Indy 103.1

Carolina Liar: Coming To Terms 0

Posted on July 08, 2008 by jeremyazevedo

New band appears suddenly on everybody’s radar…

By Jeremy Azevedo
In Los Angeles and the surrounding area, there are basically two radio stations (KROQ and Indie 103.1) struggling for dominance. The two stations couldn’t be farther apart in terms of style and presentation, and as such, you will rarely, if ever, hear the same song being played in regular rotation on both stations.

Despite this fact, Carolina Liar has managed to squeeze into the top 10 most requested bracket of both stations with their hit single. “I’m Not Over”. What it is about Carolina Liar that makes them appeal to both audiences is hard to describe, but I’ll give it my best shot.

Singer/songwriter Chad Wolf is not the typical LA musician, doing whatever it takes to get a record deal. He’s an honest to goodness regular dude from South Carolina that spent much of his adult life up until now honing his craft in coffee houses and doing odd jobs in exchange for studio time. In order to find the relevancy in his music, he one day ups and moves to Sweden, where he fits right in with his long blond hair and melancholy disposition.

Fast forward a few months and C. Wolf is back in LA with a the only Swedish band from this decade that isn’t into black metal (the Hives excluded) and a stellar album of material that calls to mind sounds of New Wave, traditional Southern Rock and a dash of Indie as interpreted by North Atlantic Europeans.
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Shapes of Race Cars: Power 0

Posted on June 18, 2008 by jeremyazevedo

CraveOnline Soundcheck featured artist!

By Jeremy Azevedo
Shapes of Race Cars is an independent indie/glam rock band you and your lady-piece can both agree upon. Lead singer/songwriter Dylan Champion has managed to combine the Sunset Strip cock rock swagger that you probably like with the pretty-boy pop melodies that your girlfriend (and the radio) loves.

The end result is kind of like listening to a mix tape of The Hives most spastic garage rockers mashed together with The Fray’s minimalist ballads. This may sound like an incongruous combination at first, but by the second half of the album it becomes apparent how well the different stylistic approaches compliment one another.

As an album, “Power” starts out strong with the title track, also called “Power”, a clever and catchy rock song about greedy willful women. The next few tracks shift gears into a mellower style before jumping back into rock mode with the crowd-pleasing sing along “Sound the Alarm”. The last song on the album, “Apocalypse Hurts” is a vintage-y John Cougar Mellencamp style rocker that is the polar opposite of the song that started the album out, which just goes to show how versatile the band can be.

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The Kooks: Konk 0

Posted on April 17, 2008 by jeremyazevedo

Awesome sophomore album from British indie rock band


By Jeremy Azevedo
The Kooks’ 2006 album, “Inside In/Inside Out” was one of my favorite releases of that year, and despite the fact that they are kind of lame live performers, I’ve been eagerly awaiting new material from these talented young rockers for quite some time.

“Konk” doesn’t disappoint at all, delivering more of the same vintage-y rock and roll that made the Kooks popular in the first place. Say what you will about these dudes, they’re admittedly kinda pussy, but I’ll be damned if they’re not some catchy songwriters. This is the kind of music that radio was made for; “Always Where I Need To Be” is obviously the hot single, but “Love It All” is going to be the one that drops more panties than a wash and fold clerk with hooks for hands.


Either an ad for Supercuts or a picture of The Kooks, not sure which…

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February Free Music Downloads 0

Posted on February 14, 2008 by jeremyazevedo

New music from The Raveonettes, Ben Lee, HDR, Approach and more


By Jeremy Azevedo
This February, CraveOnline’s got some great new songs available for download from virtually every genre you can think of. Check em’ out!

No seriously. Do it right now. Don’t you know that there are music starved people in other countries? You better download
every single song on your plate, young man/lady/manlady!


Artist: Approach
Song: The Jar (Intro)

Approach is just about as gangster as one can be coming straight outta Kansas. On his new album, Approach works with top shelf collaborators like P.O.S. and Mac Lethal, producing hot electro-hop club bangers like “The Jar”.

The Jar (Intro)


Artist: Custom Made
Song: 07 I See

Custom Made are a bunch of dudes with funny names. But there’s nothing funny about their music. 07 I See is reminiscent of some of that good old Mobb Deep shit, with tight flows and soulful backing jams, perfect for blasting obnoxiously loud in your car with the windows down in the summer.

07 I See


Artist: HMD
Song: One Pursuit

HMD’s song, “One Pursuit” is an epic cut that would make Kanye jealous. With an ear for classic rock samples and high-energy performance, HMD is bound to rise above many of the more conventional indie rappers in the game today.

One Pursuit


Artist: Kaze
Song: Dynasty

A veteran of the battle rap scene, Kaze (pronounced KAH-ZEE) has graduated from being an opening act for Common, G-Unit and Dead Prez to having his own album released on Rawkus in 2007.

Dynasty


Artist: Ben Lee
Song: What Would Jay-Z Do?

Following in the footsteps of fellow singer songwriters in the mold of Ben Folds and John Mayer, Ben Lee is positioned to be one of your girlfriend’s favorite artists this year. But he likes Jay-Z, too, so he’s got that going for him.

What Would Jay-Z Do?


Artist: Gwen Stacy
Song: The Path To Certainty

Hardcore thrash with a message is what screamo band Gwen Stacy brings to the table. Their name is probably a nod to deceased former Spider-Man girlfriend Gwen Stacy, something that may endear the band to all you comic book nerds out there.

The Path To Certainty


Artist: HDR
Song: Wide Open

Grimy, whiskey slamming stoner rockers HDR don’t mess around with that pop shit. This is music to work on your motorcycle or pipe Suicide Girls to. Or both, if you’re one of those multi-tasker types.

Wide Open


Artist: The Helio Sequence
Song: Keep Your Eyes Ahead

The Helio Sequence couldn’t be more indie if they tried. Next time someone asks you for an example of what qualifies as indie rock these days, put on “Keep Your Eyes Ahead” and call it a day.

Keep Your Eyes Ahead


Artist: The Raveonettes
Song: Dead Sound

The Raveonettes new album, “Lust, Lust, Lust” is like a 1950s throw back, atmospheric, surf guitar meets Morrisey masterpiece. “Dead Sound” is a perfect representation of this, and definitely warrants a listen.

Dead Sound

Check back next month for more of the best free music on the web!



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