The Greatest Sci-Fi Movies Never Made 1
Except for, like, most of them actually were…
By Jeremy Azevedo
|
It took me ages to get around to finishing this book, which has physically been through hell in a remarkable parallel to the stories contained within… |
…This book has been lost, found, forgotten (due to the recent purchase of an Xbox 360), dropped into a toilet at a cabin in Big Bear, left outside to dry, been run over, gone camping, been sexually harassed by an older book on MySpace, and found out that it was adopted. Nevertheless, I proudly soldiered on so that I could pass along my opinion to the three or four of you out there that actually still read books. So without further ado, please enjoy the long awaited review of “The Greatest Sci-Fi Movies never Made”!
Originally published in 2002, David Hughes’ recently revised book, “The Greatest Sci-Fi Movies Never Made” is an exhaustively researched and immensely fascinating look into just how inept the studio system really is. Even when handed over an incredible story that really require very little embellishment, every single one of these films quickly spirals out of control, with numerous screenwriters pushing the story further and further out of context, budgets spiraling out of control, and a revolving door of star directors and actors collecting paychecks to talk about what could have been in interviews. The title of the book is a little misleading because most of these movies actually have been made by now. But it’s more about what the movies could have been than it is about incomplete projects.
A page from Kevin Smith’s lost Superman script (lovingly rendered in crayon), in which Superman saves NASCAR from a diabolical monkey and says the word “feltch” a lot.
What’s truly fascinating about some of these stories, each of which plays out like it’s own individual little spy novel, is how some of the scripts that fail have their carcasses stripped and re-purposed for other films. “Men in Black” was essentially all the best parts of “The Tourist”, minus the dark drama elements. Spielberg’s horror picture “Night Skies” became “E.T.”, of all things. “EL Topo” director Alejandro Jodorowsky’s “Dune” became David Lynch’s “Dune”. It becomes apparent to the reader how important and universal some of the themes in science fiction really are (as well as how difficult it can be to protect one’s intellectual property). Read the rest of this entry →
